As I write this, I'm more than a little creeped out. (And no, not just because I find myself quoting the former Mr. Barr.)
My car was broken into last night. At first, I thought that the glove compartment had fallen open, because its contents were strewn on the passenger side floor. Then I realized that my seats were pushed back, my armrest was upended, my emergency flashlight was smashed and its batteries flung about, and--the kicker--my ashtray was ajar and its cigarette lighter was missing.
What the fuck?
I live in an ostensibly safe neighborhood--whatever that means--but this is the eighteenth time that my building's garage has been broken into in the twelve years that I've lived here. This incident is particularly unnerving because: 1) It's the first time my car has been hit, and 2) There were no signs of forced entry.
Now, I drive a thirteen year old tan Topaz. My friends call it "the county vehicle"; my brother calls it, "that piece of crap you embarass us with." It's a litmus test in my social circle: my pals who are lawyers, teachers, and architects gibe, "Did you lose a bet?", while my writer and actor cohorts ask, "Can I get a ride?"
The thing is, I like my little car. I love to get dressed up, but I can't get worked up over the vehicle in which I'm seen. The Topaz--or "the Paz", as I've affectionately dubbed it--is delightfully utilitarian. It's perfect for lugging props to and from rehearsal, and if phad thai leaks through its to-go box and onto the floor mats, it just doesn't matter.
So, why, in a garage filled with new model BMWs, Acuras, and a gorgeous vintage Mercedes, would someone spend the time and effort to trash what's clearly an inferior auto with nothing of value inside? (It sports *a tape deck* for God's sake.)
The police officer who took the report believes it's an inside job. This isn't the first break-in we've experienced where there were no signs of forced entry. As he put it, "You live on a main road with nothing *but* cars parked outside. Why bother breaking into your building to steal when there's so much to steal right outside?"
Why, indeed. I know that this is, thankfully, just a property crime. But I also know that some sick fuck--possibly an acquaintance--is walking around with my cigarette lighter. It's never been used--I don't smoke--but I sure as hell hope they get burned.
Archives for Litsa Dremousis, 2003-2011. Current site: https://litsadremousis.com. Litsa Dremousis is the author of Altitude Sickness (Future Tense Books). Seattle Metropolitan Magazine named it one of the all-time "20 Books Every Seattleite Must Read". Her essay "After the Fire" was selected as one of the "Most Notable Essays 2011” by Best American Essays, and The Seattle Weekly named her one of "50 Women Who Rock Seattle". She is an essayist with The Washington Post.
Litsa Dremousis
About Me
- Litsa Dremousis:
- Litsa Dremousis is the author of Altitude Sickness (Future Tense Books). Seattle Metropolitan Magazine named it one of the all-time "20 Books Every Seattleite Must Read". Her essay "After the Fire" was selected as one of the "Most Notable Essays 2011” by Best American Essays, and The Seattle Weekly named her one of "50 Women Who Rock Seattle". She is an essayist with The Washington Post. Her work also appears in The Believer, BlackBook, Esquire, Jezebel, McSweeney's, Monkeybicycle, MSN, New York Magazine, New York Times, Nylon, The Onion's A.V. Club, Paste, PEN Center USA, Poets & Writers, Publishers Weekly, The Rumpus, Salon, Spartan Lit, in several anthologies, and on NPR, KUOW, and additional outlets. She has interviewed Dan Auerbach of The Black Keys, Betty Davis (the legendary, reclusive soul singer), Death Cab for Cutie, Estelle, Jenifer Lewis, Janelle Monae, Alanis Morissette, Kelly Rowland, Wanda Sykes, Tegan and Sara, Rufus Wainwright, Ann Wilson and several dozen others. Contact: litsa.dremousis at gmail dot com. Twitter: @LitsaDremousis.
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