From Barsuk’s message board yesterday:
Last night at their Seattle show, 3 guitars a wallet and a cell phone were stolen from So Many Dynamos. The show was at the Paradox and the stuff was stolen from the back room during the 3rd bands set.
If anyone has any information at all, please email me at skrockirecords@yahoo.com
Here are the details on the guitars:
1978 Gibson SG-tobacco sunburst with a repaired headstock, many dings and chips and a Smokey the Bear sticker on the case.
G&L ASAT Classic Tribute Series (looks like a telecaster) - sunburst semi-hollow body (has an f-hole) in a black gator case with "Griffen Kay's" name and address on the case. This guitar has lots of rust.
Squire Supersonic-black with white pickguard in a Gibson gig bag. The guitar has a “Anyone Can Do This” sticker on the back.
All guitars are pretty dinged up but loved dearly.
Thank you
Posted 2006-10-22 18:01:54 by Robbie [Urbandale, USA]
I have friends who stole in their twenties. They regret it deeply and learned from it. So I don't think theft marks someone for life as an evil person. That said, stealing a band's gear is evil. I can think of no better punishment than the one laid out in the Decemberists' "Mariner's Revenge Song":
"Find him
Bind him
Tie him to a pole and break
his fingers to splinters
Drag him to a hole until he
wakes up naked
clawing at the ceiling
of his grave"
And while we're (again) on the topic of the indie rock: certain music blogs are a joy to peruse. They burst with love and appreciation for their favorite acts and they champion art that impacts their lives. Cheek kisses and licorice whips all around.
On the other end of the spectrum are those who snipe unprovoked and are certain--for reasons unapparent--that they understand an artist's motivation and influences and allegories. Then they misspell everything. To those I say: a keyboard won't make you a writer. And when you assert that one band is "following in another's footsteps" based solely on geography, I must resist the urge to poke you with a stick.
Less bang maintenance and more fact-checking, please.
Archives for Litsa Dremousis, 2003-2011. Current site: https://litsadremousis.com. Litsa Dremousis is the author of Altitude Sickness (Future Tense Books). Seattle Metropolitan Magazine named it one of the all-time "20 Books Every Seattleite Must Read". Her essay "After the Fire" was selected as one of the "Most Notable Essays 2011” by Best American Essays, and The Seattle Weekly named her one of "50 Women Who Rock Seattle". She is an essayist with The Washington Post.
Litsa Dremousis
About Me
- Litsa Dremousis:
- Litsa Dremousis is the author of Altitude Sickness (Future Tense Books). Seattle Metropolitan Magazine named it one of the all-time "20 Books Every Seattleite Must Read". Her essay "After the Fire" was selected as one of the "Most Notable Essays 2011” by Best American Essays, and The Seattle Weekly named her one of "50 Women Who Rock Seattle". She is an essayist with The Washington Post. Her work also appears in The Believer, BlackBook, Esquire, Jezebel, McSweeney's, Monkeybicycle, MSN, New York Magazine, New York Times, Nylon, The Onion's A.V. Club, Paste, PEN Center USA, Poets & Writers, Publishers Weekly, The Rumpus, Salon, Spartan Lit, in several anthologies, and on NPR, KUOW, and additional outlets. She has interviewed Dan Auerbach of The Black Keys, Betty Davis (the legendary, reclusive soul singer), Death Cab for Cutie, Estelle, Jenifer Lewis, Janelle Monae, Alanis Morissette, Kelly Rowland, Wanda Sykes, Tegan and Sara, Rufus Wainwright, Ann Wilson and several dozen others. Contact: litsa.dremousis at gmail dot com. Twitter: @LitsaDremousis.
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1 comment:
preach on, sister! i'm with you 120%. xoxo, squiddy
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