Last night I watched an interview with an author whose work I like, but that doesn't prompt me to do cartwheels and then finger myself. Still, I found his answers smart and insightful and enjoyed listening to what he offered next. Then he was asked the inevitable (though sometimes useful) question, "Which other authors do you read?" He named three off the top of his head (all fine choices and one of whom is a friend of mine) and later revisited the topic, rattling off about ten playwrights whose work he's long admired.
Then he caught himself. "I'm sure there are some women in there, too, I'm overlooking right now." Each of his picks had been men. He struck me as sincere and I believe there are women whose work resonates for him. And I like that he answered honestly: no one should feel like they "have" to publicly laud any artist if the latter's work really doesn't spark something within.
I've been pleased that my writing, so far, has garnered a healthy degree of praise from the whole gender spectrum and that no one has attempted to pigeonhole me as a "woman writer". I've been viewed simply as a writer, which is how it should be for all of us, regardless of sex, race, religion, or where one falls on the Kinsey Scale. (Side note: I say this without a trace of arrogance. I know if I were to attempt, say, civil engineering, I would get quickly labeled, "disaster". I'm fully aware of the many things at which I would choke.)
But still, it got under my skin that if I or any woman had been asked the same question and the interviewer had been of the opposite gender (as was the case last night) and we had named 13 writers who sport vadges, it seems near certain we would have incurred the response, "Don't you read any men?"
Unquestionably, things continue to progress in the right direction. I just wish we were already there. Anyhow, it's 75 degrees and sunny on what is one of the last warm days of the season and nothing is going to shift culturally in the next 90 minutes. I'm off to get an iced americano and head to Thomas Street Park. And, for the record, my favorite authors run the whole spectrum of humanity. Except for the bad writers: while some might be lovely human beings, it's perfectly okay to shun their output.
Archives for Litsa Dremousis, 2003-2011. Current site: https://litsadremousis.com. Litsa Dremousis is the author of Altitude Sickness (Future Tense Books). Seattle Metropolitan Magazine named it one of the all-time "20 Books Every Seattleite Must Read". Her essay "After the Fire" was selected as one of the "Most Notable Essays 2011” by Best American Essays, and The Seattle Weekly named her one of "50 Women Who Rock Seattle". She is an essayist with The Washington Post.
Litsa Dremousis
About Me
- Litsa Dremousis:
- Litsa Dremousis is the author of Altitude Sickness (Future Tense Books). Seattle Metropolitan Magazine named it one of the all-time "20 Books Every Seattleite Must Read". Her essay "After the Fire" was selected as one of the "Most Notable Essays 2011” by Best American Essays, and The Seattle Weekly named her one of "50 Women Who Rock Seattle". She is an essayist with The Washington Post. Her work also appears in The Believer, BlackBook, Esquire, Jezebel, McSweeney's, Monkeybicycle, MSN, New York Magazine, New York Times, Nylon, The Onion's A.V. Club, Paste, PEN Center USA, Poets & Writers, Publishers Weekly, The Rumpus, Salon, Spartan Lit, in several anthologies, and on NPR, KUOW, and additional outlets. She has interviewed Dan Auerbach of The Black Keys, Betty Davis (the legendary, reclusive soul singer), Death Cab for Cutie, Estelle, Jenifer Lewis, Janelle Monae, Alanis Morissette, Kelly Rowland, Wanda Sykes, Tegan and Sara, Rufus Wainwright, Ann Wilson and several dozen others. Contact: litsa.dremousis at gmail dot com. Twitter: @LitsaDremousis.
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